Science Fiction Cover Art

A Martian base by Manchu. I'm not aware of the book it appeared on or in, if any.
 

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Alexei Leonov on the moon, the starting point of For All Mankind
I don't watch TV and movies but I do know the For All Mankind show exists and is an alternate history.
And that's the extent of what I know about it.
Even so ...
That flag bugs me for being hung backwards, the hammer and sickle were on the hoist edge of the real world Soviet flag.
But ...
It does have the star correct as the real world historically outline instead of solid, https://www.crwflags.com/fotw/flags/su.html

Or maybe there were some real world exceptions to hammer and sickle placement - I'm just home from laundromat and messy health has me in pain and exhausted for the effort.
 
Manchu again. Alexei Leonov on the moon, the starting point of For All Mankind.
Think of the consequences of the Soviet Union winning the space race. Humanity would associate the terms communism and high technology. The Vietnam War would not have been necessary to balance the loss of prestige. It would not have been necessary to create the environmental movement, to downplay the importance of Western technological superiority. The Israeli air force would continue to use Mirages.
 
A pair of covers with an interesting backstory, in 1980/81 Analog Magazine ran a four part serial entitled 'Shuttle Down' by G. Harry Stein (Pen name: Lee Correy) in which a Vandenberg launched shuttle is forced to make an emergency landing on Easter Island. The story was subsequently reprinted as a novel by Ballentyne/Del Rey shortly after last part of the serial was published featuring a cover by Bill Schmidt.

The novel did well enough to mandate a second edition in 1986, this used the striking (and much more effective) image Rick Sternbach created for the issue of Analog part one of the serial appeared in.
 

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A pair of covers with an interesting backstory, in 1980/81 Analog Magazine ran a four part serial entitled 'Shuttle Down' by G. Harry Stein (Pen name: Lee Correy)
And speaking of backstory,

"
G. Harry Stine (1928--1997) was a renowned rocket expert and a pioneer in the development of the aerospace hobby of model rocketry. Stine graduated from the University of Colorado, and first worked as an civilian scientist at White Sands Proving Ground as chief of the Controls and Instruments Section of the Propulsion Branch. In 1955, Stine went to work for the US Naval Ordnance Missile Test Facility at White Sands as head of the Range Operations Division and Navy Flight Safety Engineer. Stine later worked as an engineer for Stanley Aviation Corporation and the Huyck Corporation. Stine was the founder of Model Missiles, Inc., which was the first company to produce and market model rockets. He has also served as a freelance consultant for different organizations, including the National Air and Space Museum. Stine was a prolific author of both articles and books on science, astronautics and model rocketry, and he also wrote science fiction under the pseudonym, Lee Correy. In 1957, Stine founded the National Association for Rocketry (NAR), and he was an active member. He was also a member of the American Institute of Aeronautics and Astronautics, the British Interplanetary Society, and the Explorer's Club.
"

 
Manchu again. Alexei Leonov on the moon, the starting point of For All Mankind.
This is cover for french Alternate History comic series called Jour-J
That is for issue 1# Les Russes sur la Lune ! publish 2010.
The 50 issue series is not bad, some stories are good to what to hell i reading here ?...

they have Story arcs covering several Issue
like OMEGA: a Facist France fight another war with Britain in 1940s

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A Martian base by Manchu. I'm not aware of the book it appeared on or in, if any.
he makes cover for Books or Comics and Illustration for magazines
but also art work for TV and Movie productions

like Il était une fois… l'Espace (Once Upon a Time... Space) the animate tv series from 1983.
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I have to admit, I prefer my futuristic spacecraft designs without shark-mouths or painted on animal faces...
 
The cover by Duane O. Meyer's for 'Alien Rites' (1995) by Lynn S. Hightower, the last in a four book science fiction police procedural series that was I suspect partly inspired by the 1988 film 'Alien Nation'...
 

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he makes cover for Books or Comics and Illustration for magazines
but also art work for TV and Movie productions

like Il était une fois… l'Espace (Once Upon a Time... Space) the animate tv series from 1983.
47818431a258b95adcd9420598cd97aa.jpg
An influence here?

Stupid me confuse Heechee with Seetee
 
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An influence here?
no
Il était une fois… l'Espace (Once Upon a Time... Space) and Macross were created in same time, without interaction.
In fact Macross was quite obscure in Europe, until 1985 known under Robotech franchise.

The design used in Il était une fois… l'Espace seems more influence by "Terran Trade Authority" books by Cowley.
 
The cover by David Schleinkofer, for 'Nightside City' (1989) a future-noir novel by Lawrence Watt-Evans, an author more well known for his fantasy fiction. In 2010 the author released a belated sequel entitled 'Realms of Light'.
 

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The cover by Duane O. Meyer's for 'Alien Rites' (1995) by Lynn S. Hightower, the last in a four book science fiction police procedural series that was I suspect partly inspired by the 1988 film 'Alien Nation'...
Interestingly, the gun carried by the alien appears to be the same design as used by the 'Bushman' mecha from the 'Dougram' anime (attached image is a photo of a model . . .).

cheers,
Robin. dougram bushman.jpg
 
Cool. I'm guessing the 'W' looking thing is their national insignia, maybe a unit marking, but I'd wager a national insignia.
The W is logo of militaristic and fascist confédération of Cassiopée, situated in constellation Cassiopeia, who resemble a W
I prefer my futuristic spacecraft designs without shark-mouths or painted on animal faces...
Like I mention they are militaristic and fascist, so they paint their ship like this, to make them more menacing...
it has certain Irony in story, that they face enemy, who consider this as "archaic behaviour" and are not impress at all.

Il était une fois… l'Espace (Once Upon a Time... Space) is dam good Sci-fi series
yes it animated, it has episodes that are awkward and some synchronisation are awful to watch (like the German)
But it's story ark, were here on level of Babylon 5 ! (you find all episodes on Youtube)
They even make animated Movie, who was re-release in 2023 in 4K.
View: https://www.youtube.com/watch?v=eGorzYTQy64
 
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François Schuiten.
 

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Vincent DiFate's cover to the October 1976 issue of Analog, featuring one of Joan D. Vinge's 'Heaven Belt' stories 'Mediaman'
 

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Why are they shooting at the metal bits and not the unprotected flesh?
Astronauts obviously need more combat training courses.
Because the needs of the artist outweigh the needs of the astronauts.
Shooting at the unprotected flesh wouldn't give that neat looking sunburst effect at the impact point.
 
Heres one from a series of polish-german graphic novels,The Gods from Outer Space,published back in the late 70s-early 80s.These were based on erich von danikens Chariots of the Gods "theories".


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When did the Nazis invent a laser version of the MP 40 that middle person is holding...? :rolleyes: Because, that is one secret weapon I didn't know about!
 
An Eddie Jones image used on the front cover of 'The Gate', issue 3. 'The Gate' was one of a number of small press science fiction and/or gaming magazines that appeared in the UK in the late 1980's/early 1990s when 'White Dwarf' turned into a 'Warhammer Only' magazine. Issue 3 of 'The Gate' was their first newsstand issue, sadly it was their last issue as far as I've been able to determine.
 

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The Vincent DiFate cover art on the February 1978 issue of Analog Magazine which featured the first of a three part story by Joan D. Vinge entitled 'The Outcasts of Heaven Belt', a story using the same setting as 'Mediaman'. The three part story was later published as a novel under the same title. This image was taken from a scanned copy of the magazine.
 

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Machu again, for William Gibson and Bruce Sterling's The Difference Engine.
Well, there's nothing quite like Hayao Miyazaki for sci-fi mixed with retro art...

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And, not to be outdone, someone actually recreated that glider-jet for real...

glider-modeled-hayao-miyazakis-nausicaa-anime-takes-skies

Talk about life imitating art!
 
Heres one from a series of polish-german graphic novels,The Gods from Outer Space,published back in the late 70s-early 80s.These were based on erich von danikens Chariots of the Gods "theories".

Oddly this was West German Production, made in communist Poland
Draw by Polish artist Bogusław Polch
The text was by Arnold Mostowicz und Alfred Górny
strangely the Covers were not made by Bogusław Polch, but some one else...

Polish artist Bogusław Polch is better known for his work "Funky Koval" and comic adaptation of The Witcher.
800.webp
 
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Manchu again. Alexei Leonov on the moon, the starting point of For All Mankind.
Also on the first comics from the French comics book collection "Jour J" (D Day). That first one (Russian on the moon) was published in 2010.
 
The cover by Nick Strathopolis for the 1998 anthology of Australian science fiction 'Dreaming Down Under'.
 

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