The above animation was only supervised by Hergé from a distance, it doesn't carry the signs of his artistry at all. I'd rather go for the Nelvana stuff, despite Hergé being long dead when it came out, simply because it's a lot more faithful to the spirit of the books. And again, as I said before, Spielberg and Jackson's visual approach does not betray the spirit of the original work. Chances are if Hergé was still alive today he would give the new technologies a chance and use them to advantage.
As to the rumours around Hergé's controversial Tintin albums, what he forgets to say is that the first Tintin albums were published in different times and a different context. "Le Petit Vingtième", which published Tintin, was the weekly children's supplement to Le Vingtième Siècle, a notoriously very right wing Catholic newspaper. You've got to realize that Hergé's work was controlled, to the extent that he had to redraw some stuff even then that the publisher deemed unfit to the moral standards of the day. Belgium was a colonial power and the European public was only beginning to discover African cultures through colonial exhibitions and books by explorers who had a religious and/or political bias. That Hergé's early works betray anti-Communist, colonialist and antisemitic aspects is undeniable, but this simply reflects the opinions of a vast array of people at the time throughout Europe. Propaganda was everywhere and people didn't have the means to verify information as they do now with the internet.
Besides it must be said that Hergé buried the "Soviets" album, redrew some of the controversial scenes in the later albums, and showed a much more humanistic and tolerant approach album after album... All the fuss over the early works is the work of some holier-than-thou, politically correct idiots who want to condemn works they don't agree with, just like dictators used to order books to be burned in the public place.